Heavy Technical / Brutal Death Metal out of Texas.

Parasiticide wage total sonic war across black metal, death metal, and grindcore, letting the three styles collide without quarter. Formed in 2020, the band's location-free status suggests a project more concerned with extremity than geography.

Hard-hitting heavy metal from San Antonio.

Wichita, Kansas's Parthian draw on Scandinavian melodic death metal as a foundation and fold progressive structures into the mix, arriving at a sophisticated heaviness since 2016. Their songs carry enough emotional weight to match the technical ambition, a balance not every prog-death act achieves.

Tampa's Party Time live at the chaotic intersection of crossover thrash, hardcore, and old-school metal, delivering the kind of sets that end in sweat and bruised limbs since 2015. Their name is a joke delivered deadpan over d-beats and gang vocals.

Furious Crossover / Thrash Metal from Austin/Houston/Pasadena.

Altoona, Pennsylvania's Pastor Brad channel neoclassical guitar heroism through a progressive and heavy metal framework, where shred technique serves song structure rather than replacing it. Since 2012, the project has been a testament to the enduring appeal of virtuosic heavy music built with genuine compositional intent.

Born in the Silicon Valley underground in 2020, Patala weaves symphonic grandeur and gothic atmosphere through a black metal framework, conjuring something ornate and sinister in equal measure.

Pathology is an American death metal band from San Diego, California, formed in 2006 by drummer Dave Astor, previously of Cattle Decapitation and The Locust. The band built a prolific catalog across labels including Victory Records — where Legacy of the Ancients (2010) and Awaken to the Suffering (2011) appeared — and released eleven studio albums through 2021, with The Everlasting Plague being their most recent. Their approach draws from brutal death metal traditions with recurring themes of medical horror and human mortality.