Dungeon Crawler hail from the small town of Manawa, Wisconsin, where they formed in 2019 with a sound anchored in classic heavy metal riffs dragged through doom's tar-thick tempos. The isolation of rural Wisconsin seems to seep into their music, which favors atmosphere and weight over flashiness. Think midnight rituals in a Midwestern basement — heavy, deliberate, and entirely self-sufficient.

Atlanta's Dungeon Filth wasted no time after forming in 2021, delivering the kind of grimy, fast-and-ugly hybrid of death metal and grindcore that the name promises without apology. Georgia's extreme underground has a history of unruly, low-fi nastiness, and Dungeon Filth fit squarely in that lineage — short blasts of putrid riffage with zero interest in accessibility. Pure cavern-dwelling brutality.

A Florida-based heavy metal outfit formed in 2019, Dungeon Wolf traffics in the sword-and-sorcery aesthetic that the genre's earliest architects built their legacy on — straightforward riffing, anthemic hooks, and a no-frills devotion to classic metal's primal power.

Hailing from Norfolk, Virginia, DungeonKeep has been forging traditional heavy metal since 2018, channeling the dual-guitar crunch and melodic sensibility of the genre's golden era into material that wears its influences with both pride and conviction.

A Berkeley, California project active since 2013, Dunnock operates in the harshest margins of raw black metal and noise, crafting lo-fi, abrasive recordings that prioritize atmosphere and primitive menace over production polish.

Named after Lovecraft's cursed New England village, St. Louis's Dunwich has been combining thrash metal's mechanized aggression with the blunt force of hardcore punk since 2018, making them one of the more confrontational acts in the Missouri metal underground.

Founded in Santa Cruz, California in 2014, Dusk Meridian blends orchestral grandeur with heavy metal's structural muscle, crafting the kind of sweeping, cinematic symphonic metal that bridges the gap between classical composition and guitar-driven heaviness.

Dusted Angel formed in Santa Cruz in 2008, though several of its members had musical roots together that stretched further back into the local heavy and punk scenes. The band brought together Clifford Dinsmore on vocals, Eric Fieber and Scott Stevens on guitars, Elliot Young on bass, and later Steve Ilse on drums, creating a sound that moved away from speed and into thick, riff-centered weight. Their music draws from doom, stoner metal, and heavy rock, with long grooves, Sabbathian pacing, and a rhythmic patience that gives the riffs room to breathe. Earth Sick Mind introduced the group's low-slung attack, combining gravelly vocals, heavy blues movement, and a sense of Californian underground rock grit. The later Side of the Dirt continued that direction with a seasoned feel, emphasizing chemistry over flash. Dusted Angel's music works because it sounds like players making the kind of heavy rock they would want to hear themselves: loud, warm, unpretentious, and rooted in the slow physical pleasure of a massive riff.

A solo technical and progressive death metal project based in Portland, Oregon, Dustin Behm has been releasing intricate, guitar-forward material since 2017, pushing the genre's compositional boundaries with dense arrangements and demanding musicianship.