New Orleans's Hate Seed arrived in 2019 carrying death metal into a city already thick with extreme music traditions. The NOLA atmosphere lends the music a murky, humid quality — death metal soaked in bayou air.

Western Massachusetts's Hate the Adversary have been pushing crossover thrash into groove metal territory since 2019, resulting in music that hits as hard as it moves. There's a regional punk-meets-metal pedigree behind the attack.

Akron's Hate Theory have been working the fertile middle ground between death metal and metalcore since 2017, building a sound with the brutality of the former and the structural hooks of the latter. Ohio's industrial heritage informs their heavy, purposeful approach.

Detroit's Hate Unbound pull from death, thrash, and groove metal simultaneously since 2015, creating a thick, multi-layered attack built for the floor of a club. The Motor City's working-class aggression runs through every downpicked riff.

Baltimore's Hatebeak hold a singular place in underground metal history: their vocalist is a Congo African grey parrot named Waldo, whose screeching squawks front a grinding death metal assault. Since reforming their activity around 2019, they remain one of extreme metal's most genuinely surreal propositions.

Hatebreed have been the soundtrack to channeled aggression since Jamey Jasta formed the band in Bridgeport, Connecticut in 1994. Their brand of metallic hardcore, built on motivational lyrics delivered over crushing mosh-pit anthems like 'I Will Be Heard' and 'Destroy Everything,' became a global phenomenon. Jasta's ability to transform hardcore rage into something genuinely empowering has made Hatebreed one of the best-selling and most enduring bands in hardcore history.

Flushing, Ohio's HateDriven have been delivering groove-infused thrash since 2016, combining the latter's riff aggression with the former's locked-in rhythmic punch. Rust Belt no-nonsense is baked into every locked groove.

Hatefog emerged from Aberdeen, Washington in 2024 — Kurt Cobain's rainy hometown — with depressive black metal steeped in the Northwest's characteristic bleakness. Sparse, desolate, and drenched in the kind of grey that comes from overcast skies rather than theatrical performance.

Sterling, Virginia's Hatefuck have been grinding out their caustic blend of brutal death and grindcore since 2013, delivering short, unrelenting volleys of noise and violence with no regard for subtlety or mercy.