Conjured in 2023 in the Appalachian foothills of Franklin, North Carolina, HashWitch brews stoner metal with a distinctly earthy, ritualistic character. The mountain setting seeps into the tone — slow grooves with a pagan undertow.

Birmingham, Alabama's Haste formed in 1995 and occupied a space where post-hardcore, metalcore, and emo intersected. The band released three albums — Pursuit in the Face of Consequence (1999), When Reason Sleeps (2001), and The Mercury Lift (2003) — before disbanding in 2007. The Mercury Lift in particular drew comparisons to the atmospheric post-hardcore of Quicksand and Hum, and the band is remembered as a defining act of the early 2000s regional heavy music scene.

Indianapolis metalcore outfit Haste the Day were a driving force in the Christian metalcore movement of the 2000s, blending melodic hooks with aggressive breakdowns across albums like 'Burning Bridges' and 'Pressure the Hinges.' Their farewell show at Furnace Fest became legendary, though the band has since reunited periodically to remind fans why they were one of the scene's most beloved acts.

California's Hat occupy a grimy corner where death metal's brutality meets sludge metal's oppressive drag, and they've been doing so since 2011. There's a caustic, tar-thick quality to their output — ugly in all the right ways.

Hailing from Methuen, Massachusetts, this Hatchet have been carving out death metal since 2012 with surgical economy. Their approach draws on classic East Coast extremity — dense, technically precise, and uninterested in compromise.

San Francisco's Hatchet have been one of the Bay Area's more committed torchbearers for classic thrash since 2012, keeping the genre's technical precision and speed-driven riff vocabulary alive. They worship at the altar of the genre's golden era without sounding like a museum piece.

Arvada, Colorado's Hatchet Fucked deal in brutal death metal with a blunt-instrument aesthetic — the name alone signals their intent. Since forming in 2018, they've pursued the genre's most punishing qualities with committed, no-frills intensity.

San Francisco's Hatchets for Hands have threaded melodic death metal's harmonic sensibility through a more caustic death metal frame since 2016. There's melodic ambition here balanced against genuine aggression — hooks that cut rather than console.

Austin's Hatchetwork have been swinging thrash metal axes since 2019, their sound steeped in the Bay Area and Texas traditions the city has quietly harbored for decades. Fast, riff-driven, and built for the pit.