Thunderous Stoner / Sludge / Progressive Metal out of Texas.

Portland, Oregon's Mouth of Maggots deal in the uglier, filthier end of sludge metal — corrosive, feedback-soaked, and rooted in the Pacific Northwest's deep tradition of heavy, noise-informed extremity.

Henderson, Illinois death metal act Mouth of Sauron combine technical brutality with relentless aggression, drawing on both the technical and brutal death metal traditions to deliver a sound that is punishing in both complexity and raw force.

Dayton, Ohio's Mouth of the Architect are one of the Midwest's most respected post-metal acts, building dense, emotionally charged compositions that move between crushing heaviness and vast atmospheric space with a conviction that has defined their sound since 2006.

Los Angeles technical deathcore act Mouth of the Serpent have been pushing the boundaries of extremity since 2010, bringing technical death metal's surgical precision to deathcore's brutal compositional architecture within the sprawling LA underground.

Crushing Sludge / Doom Metal out of Texas.

Mesa, Arizona's Mouthbreather have been crafting heavy, oppressive sludge and doom metal since 2012, pairing abrasive textures and deliberately sluggish tempos with a raw energy native to the Southwest's underground heavy music community.

Chicago black metal project Movarth emerged in 2024, channeling the urban isolation of the Midwest into raw, coldly atmospheric black metal that draws on both the Scandinavian tradition and a distinctly American sense of desolation.

Movements formed in Rancho Santa Margarita, California, in 2015 and quickly became one of the most recognizable bands in the emo-leaning post-hardcore revival. The group's lineup of Patrick Miranda, Ira George, Austin Cressey, and Spencer York built its identity on tightly wound guitar work, confessional vocals, and lyrics that confront mental health, grief, intimacy, and emotional exhaustion. After signing with Fearless Records following their earliest live activity, Movements released Outgrown Things in 2016, an EP that introduced their blend of spoken-word intensity, melodic post-hardcore, and soft-grunge atmosphere. Their 2017 debut album Feel Something became the defining release of their early career, with "Daylily," "Colorblind," "Full Circle," and "Deadly Dull" turning vulnerability into anthemic, cathartic rock. No Good Left to Give followed in 2020 with a darker, more spacious tone, while RUCKUS! in 2023 pushed the band toward more varied rhythms, sharper hooks, and broader alternative rock textures. Movements remain rooted in emotionally transparent post-hardcore, but their catalog shows a steady move from raw catharsis toward more expansive and unpredictable songwriting.