Las Vegas' Dead Element bring a melodic edge to their thrash and groove metal palette, crafting songs that hit with purpose behind the glitz and excess of the desert city's entertainment landscape. Sharp hooks live inside dense, riff-heavy arrangements.

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Woodbridge, New Jersey's Dead Eyes of Fall have been delivering sharp-fanged thrash since 2006, a Garden State act steeped in the old-school tradition of riff-driven punishment and unrelenting forward momentum.

Austin's Dead Haven have been grinding out death/thrash metal since 2013, fusing the precision of thrash with death metal's visceral extremity in a city better known for its live music than its extreme underground. They're the gritty counterpoint to the capital's polished scene.

Houston thrash with a sludgy, punky edge. Cult classics of the late-80s Texas scene.

Tucson, Arizona's Dead Is He combine death metal's brutality with thrash's kinetic precision, channeling the Sonoran Desert's harsh extremes into punishing riff-driven attacks since 2016. There's nothing gentle about the sound or the landscape.

Grants Pass, Oregon's Dead Leslie tear through speed and thrash metal with the stripped-down urgency of a small-town act with something to prove, formed in 2020 in the Rogue Valley's fringes. Fast tempos and sharp riffs are their native language.

Kenosha, Wisconsin's Dead Meat play crossover thrash with the blue-collar conviction of a rust belt act that learned its trade in cramped bars and parking lot shows since 2020. Fast, mean, and built on the bones of classic hardcore and thrash.