please update this band

Active off and on since 1999. One of Austin's earlier sludge/stoner acts, predating much of the city's current heavy scene.

Austin's Egypt trades in sludge and stoner metal with a Texas-sized thickness, formed in 2009 in a city whose creative underground has always made room for bands willing to slow down and get filthy.

Portland's Eight Bells weave progressive, doom, and sludge into something genuinely graceful — feminine vocals over cavernous weight, a combination that has made them one of the more distinctive acts in the Pacific Northwest's metal underground since 2013.

Ventura, California's El Barbaro occupies the brutal intersection of doom, sludge, and hardcore, a combination the band has been weaponizing since 2012. Crushing tempos and hardcore aggression collide with the genre's suffocating low-end weight.

Lancaster County, Pennsylvania's Electric Horsemen have been plowing through doom and sludge since 2006, their sound built on crushing, slow-motion riffs and the kind of rural grimness that comes from years in the underground.

Portland's Elitist refuse to stay in one lane — their sound drags sludge's suffocating weight through grindcore velocity and crust punk fury, occasionally dropping into straight death metal savagery without warning.

Denver's Elk Hunter arrived in 2025 dragging metalcore's angular energy through sludge's mire, the band's mile-high origin reflected in a suffocating, high-altitude heaviness.

Rochester's Elkhound emerged in 2024 with sludge metal that favors the slow grind over flash, building tension through sheer heaviness and the kind of pacing that lets each riff breathe before crushing you under it.

New York's Elks straddle the line between traditional heavy metal and sludge, pulling riff-craft from both traditions to create something that hits with genuine weight while maintaining melody's grip.

Orlando thrash metal project from the Florida underground.

Hattiesburg's Emerald Heavy live up to their name with Southern-drenched sludge and doom that moves like storm weather rolling in off the Gulf — slow, humid, and impossible to outrun.

Vermont's Emerther drag groove metal and sludge through the grim quiet of St. Albans, building songs out of lumbering mid-tempo riffs and a swampy thickness that feels disconnected from any coastal trend.

Brooklyn's Empire of Dust arrived in 2023 blending melodic thrash aggression with metalcore structure, channeling New York City's restless energy into a sound that moves between technical riffing and muscular breakdown momentum.

Minneapolis outfit Empires have been dragging doom and sludge through post-metal's murky corridors since 2008, building suffocating walls of slow-motion riff work layered with atmospheric texture.