Kansas City's Dead on Collision smash death metal, grindcore, and hardcore into a single explosive wreck, built for speed and maximum damage. Formed in 2023, they operate with the urgency of a band with nothing to prove and everything to destroy.

Dallas' Dead Rising have been a fixture of the North Texas extreme underground since 2016, churning out death metal and grindcore that owes as much to blast-beat brutality as to the relentless D/FW scene that surrounds them. Fast, violent, and unapologetically extreme.

Pittsburg, California's Dead Thrust combine death metal and grindcore into short, focused bursts of pure aggression, coming up in 2020 out of the Bay Area's long history of extreme underground music. Compact and merciless.

Albuquerque's Dead Wretch grind black metal and death metal down to something rawer and more chaotic, folding grindcore velocity into their desert-blasted extremity. Since 2016, they've been one of New Mexico's most relentlessly hostile exports.

Ohio's Deadfuck deliver metalcore with the blunt, unpretentious energy of the Midwest's DIY circuit, formed in 2018 and not especially interested in impressing anyone who isn't already in the pit. The name alone tells you everything about their philosophy.

Dallas's Deadtooth throw crossover thrash, death metal, and grindcore into a blender and dare you to keep up — messy, fast, and completely uninterested in making it easy on the listener. Since 2009, they've been one of the DFW underground's most chaotically reliable exports.

Elizabeth, New Jersey's Deadworld blend blackened deathcore into a suffocating whole, treating melody as a rumor and atmosphere as a weapon since 2015. Their music sounds as grim and industrially corroded as their city's waterfront skyline.

Lexington, Kentucky's Deanimator grind together death metal, thrash, and grindcore with economical brutality and no interest in genre purity since 2013. Short, fast, and built to destroy.

Denver's Death of Self grind with relentless hostility, compressing maximum chaos into minimum runtime in the true grindcore tradition. Since 2016, they've been one of Colorado's most ferocious blasts of controlled noise.

San José's Deathgrave lock death metal and grindcore into a single suffocating blast, prioritizing speed and ugliness over any sense of comfort or resolution. They've been running at maximum velocity since 2014.

Tacoma's Deboned has been running death metal and grindcore through the same blender since 2013, producing short, pulverizing tracks that owe as much to Repulsion as they do to any Pacific Northwest tradition. Efficient, brutal, and mercifully brief.

Waterloo, Iowa's DeBowers Monstrosity has been generating black/death/grind chaos since 2020, bringing the heartland's no-nonsense aggression to a genre hybrid that doesn't stop for breath. Monstrous by name, monolithic by nature.

A collision of death metal brutality, metalcore aggression, and grindcore speed, Debtors emerged from the Chicago/LA underground in 2020 with no patience for genre boundaries. Their sound hits like a freight train that changes tracks mid-collision.

Michigan's Decay Within tears through grindcore and death metal with the kind of short, sharp brutality that the Detroit area underground has always done well. Since 2018, they've been proving that Oxford, Michigan can produce extremity as violent as anywhere.

Chicago's Decaying Morality announced themselves in 2024 with a brutal death/grindcore assault that hits like the city's El train at 2 AM — loud, relentless, and indifferent to your suffering. A new addition to the Windy City's already formidable extreme metal tradition.