A different beast entirely from their New York namesake, this Louisiana outfit from Cut Off smears sludge, death metal, and grindcore into something swampy and suffocating. The combination is as caustic as the bayou heat.

Unhinged Grindcore from Brownsville/Mission/Edinburg.

Saint Paul's Daigoro tear through the intersection of death metal brutality and grindcore velocity with thrash-sharpened riffs that refuse to let up. Formed in 2017, they bring a frantic, no-frills aggression to the Twin Cities underground.

Rochester's Damn Chili serve up goregrind and brutal death metal with the kind of absurdist irreverence the subgenre demands, fusing surgical heaviness with gleeful grotesquery since 2008. They lean fully into the nastier end of the underground, with no apologies.

Formed in Delaware in 2020, Damnations Domain weaponizes the abrasive collision of death metal and grindcore, packaging maximum brutality into short, punishing blasts. No atmosphere, no mercy — just feral sonic destruction.

Hailing from Menifee, California, Damnum sculpt atmospheric black metal that trades in grief and grandeur in equal measure, letting melancholy melodies ripple beneath a fog of dissonance. The project has been releasing emotionally charged work since its 2019 formation.

Roselle Park, New Jersey's Danny Tanner have been mining the most depraved overlap of death metal and grindcore since 2007, their absurdist name concealing genuinely vicious music. Short songs, maximum damage — and the joke lands every time.

Hudson, New York's Dark Fate are something of a shape-shifter — their history spans death metal, grindcore, thrash, groove, and traditional heavy metal, a genre-wandering evolution that makes them genuinely hard to pin down. Two decades of mutation with a riff always at the center.

Syracuse grindcore act Dasein take their name from Heidegger's concept of human existence, then promptly obliterate any philosophical calm with blastbeat-driven bursts of noise and fury since forming in 2021.

Grand Island, Nebraska's Day of the Locust deliver death metal and grindcore in short, swarming bursts — music as relentless and destructive as the plague species that inspired their name. Since 2016, they've channeled the Great Plains' flat, oppressive expanse into some of the most compact brutality in the Midwest.

Born out of California's extreme underground in 2026, Ddeviatedd slam together brutal death metal and grindcore into an exercise in controlled sonic chaos. Their sound is as much a physical assault as it is a musical statement.

Pittsburgh's Dead by Dawn fuse the gory traditions of death metal with grindcore's brevity and fury — a fitting combination from a city whose industrial grit has long provided fertile ground for extreme music. Short songs, maximum punishment.

Brooklyn's Dead Corpse grind and pummel through a potent mix of grindcore velocity and death metal savagery — a combination well suited to New York City's loud, overcrowded, and relentlessly competitive underground scene.

Greenville, South Carolina's Dead Crustacean apply an experimental lens to grindcore, twisting the genre's blunt-force template into strange, lurching shapes that reward repeated listens. An outlier in the Southeast's metal underground.

Aurora, Colorado's Dead Human Collection specialize in goregrind and death metal of the ugliest, most visceral variety, exhuming carnage from the Denver metro underground since 2014. Expect no melody, no mercy, and no survivors.