Cincinnati's Heathen Knight throw thrash, death metal, and grindcore into a single chaotic vessel and let the collision speak for itself. Since 2016, the Ohio act has favored brutish efficiency over nuance, making them one of the Midwest's more reliably ferocious crossover outfits.

Blistering Crossover / Death / Thrash Metal out of Texas.

Milwaukee's Hecatomb emerged in 2020 channeling melodic death metal's twin-guitar attack and structural sweep into well-crafted material that sits comfortably within the Scandinavian-influenced wing of the American death metal tradition. Their approach favors melody without ever losing the genre's essential brutality.

Providence's Heel drag death metal's grim cadence through the mire of sludge, producing something heavier and more hostile than either genre accomplishes alone. Active since 2017, they're a natural fit in Rhode Island's gritty underground, where the two scenes have long overlapped.

Denver's Hel Hath Fury arrived in 2023 wielding melodic death metal sharpened on the high-altitude edge of Colorado's underground. Sweeping riffs and relentless momentum give their sound a cinematic intensity that belies their short time in existence.

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Salt Lake City's Hell9 refuses to settle into any single lane, colliding melodic death metal, black metal, and groove into something restlessly hybrid since 2022. The result is a dense and unpredictable listen that rewards attention to its many shifting parts.

Massachusetts's Hellbeast emerged in 2023 from the northeastern underground with a blackened death metal attack that makes no concession to accessibility. Raw, punishing, and unyielding, they traffic in pure extremity without ceremony.

Atlanta's HellBent have been splitting the difference between death, thrash, and groove since 2014, assembling a hybrid built on relentless pocket and punishing velocity in equal measure. Southern sharpness and urban grit fuel their high-energy assault.

Philadelphia's Hellegryre plant blackened death metal in the fertile underground soil of one of America's oldest cities, drawing on the Eastern Seaboard's long legacy of extreme music. Since 2020, their sound has pushed toward the violent convergence of both traditions.

Chesterton, Indiana's Hellgrind have been grinding out punishing death metal from the industrial Midwest since 2019, their sound shaped by the region's working-class grit and no-frills aggression. Straight-ahead and ferocious, they owe nothing to subtlety.

Kalamazoo, Michigan's Hellhole channel the sweeping melodic death metal tradition into tight, riff-driven songs that balance brutality with songcraft since 2013. Melody and violence coexist in their work without either element compromising the other.

Short-lived black/thrash n roll in the vein of Destroyer 666, Midnight, and Bathory. Active 2014-2016.

Portland's Hellshock have spent over two decades hammering out a vicious blend of crust punk, death metal, and thrash — a trifecta of filth that hits like a pipe wrench wrapped in barbed wire. Since 2001, they've remained one of the Pacific Northwest's most reliably punishing acts.

Augusta, Maine's Hellstorm have cultivated a death metal attack since 2010 that draws on the bleakness of New England winters — relentless, punishing, and completely indifferent to comfort. They are one of the more isolated and underrated voices in the northeastern underground.