Formed in Baltimore, Maryland in 2001 by former Dying Fetus bassist Jason Netherton, Misery Index combine death metal with hardcore punk and grindcore in a style that consistently foregrounds political and social critique. Their debut Retaliate (2003) on Nuclear Blast established the template, and the band has maintained a steady output through albums including Heirs to Thievery (2010), Rituals of Power (2019), and Complete Control (2022). They are among the most consistent acts working at the intersection of death metal and grindcore.

Knoxville, Tennessee's Misery Machine blend the mournful melody of doom metal with the heaviness of death metal in a melodic doom/death style that has earned them a dedicated following in the Appalachian region's underground since their 2022 formation.

Formed in 2022 in Chicago, Misfire deliver energetic, hard-hitting thrash metal that taps into the genre's classic crossover roots, carving out a spot in the city's active heavy metal underground with straightforward riff intensity and driving tempos.

Brooklyn-based Misha Kushnir is a solo project combining the melodic grandeur of power metal with the compositional ambition of progressive metal, offering technically accomplished material shaped by the cosmopolitan influences of New York City's diverse metal community since 2018.

Seattle's Misogyny have been delivering technical death metal since 2011, bringing the Pacific Northwest's characteristically sharp musicianship to a style defined by complex, shifting guitar work and brutal execution rooted in the upper echelon of the American technical death scene.

Manville, Rhode Island's Misotheist deal in ice-cold, antagonistic black metal shaped by a deeply anti-religious worldview, operating since 2012 within New England's characteristically bleak and self-contained underground with a sound that prizes hostility and atmosphere above all else.

Toronto-based Misothronos weave together melodic death metal's harmonic sophistication, black metal's atmospheric hostility, and thrash metal's kinetic energy into a dynamic, multi-layered extreme metal sound that defies clean genre categorization since forming in 2018.

Troy, Ohio's Miss May I emerged from small-town America to become fixtures of the Warped Tour metalcore circuit, with 'Apologies Are for the Weak' and 'Monument' delivering anthemic choruses wrapped in technical dual-guitar work. Levi Benton's commanding screams and the band's arena-ready songwriting earned them a loyal following during metalcore's commercial peak in the early 2010s.

DeSoto County, Mississippi's Mississippi Burning forge a regionally charged sound that locks the Southern metal tradition's bluesy swagger into the ferocity of death and thrash metal, producing a distinctly American extreme metal voice since their 2022 formation.