Denver death-doom and sludge metal act formed in 2022, drawing on the Mile High underground's appetite for punishment. Vitrify layers death metal's crushing weight with doom's suffocating tempos and sludge's corrosive texture, their name evoking a transformation into something rigid and opaque — hardened under extreme pressure.

Los Angeles black metal project formed in 2023, built around the cold clarity and cutting edge implied by their Latin name for glass. Vitrum occupies the frigid, atmospheric end of the black metal spectrum, a new voice in LA's underground that favors sharp, transparent bleakness over brute force.

Boise, Idaho raw black metal outfit formed in 2025, among the most freshly forged acts in the American underground. Named for the bearded dragon lizard, Vitticeps brings a primitive, reptilian ferocity to the deliberately unpolished, lo-fi production aesthetic that defines raw black metal's uncompromising ethos.

Phoenix, Arizona death metal band that has sustained over a decade of activity since forming in 2012, a remarkable run in a city not always associated with the genre's inner circles. Vivicide delivers stripped-down, heavy-handed death metal with old-school conviction, a durable fixture in the desert Southwest's extreme underground.

Springfield, Oregon death metal band formed in 2014 in the Eugene-Springfield corridor's quietly persistent underground metal community. Operating under the 541 area code tag, Vivisection has maintained a decade-long presence in Oregon's scene, favoring grim directness and old-school aggression over technical showmanship.

Melbourne, Florida melodic death metal act formed in 2023, threading Scandinavian-influenced hooks through relentlessly heavy riffwork on Florida's Space Coast. Vivisector works the melodic death metal tradition of balancing atmosphere with brutality, letting neither the melody nor the crushing weight fully dominate the other.

American black/death metal project formed in 2013, their undisclosed location a deliberate extension of the underground anonymity their music inhabits. For over a decade Vivisektion has blurred the boundary between black and death metal rather than settling comfortably on either side, generating something rawer and harder to categorize than either genre alone.

Baltimore, Maryland slam and brutal death metal outfit formed in 2017, rooted in a city with a long tradition of supporting the heaviest corners of underground music. Vivisepulture channels that local intensity into slam death's bone-snapping breakdowns and maximalist brutality, a reliable and punishing presence on the East Coast extreme scene.

Vixen are a Saint Paul, Minnesota hard rock and glam metal band whose commercial peak in the late 1980s made them one of the most visible all-women groups in mainstream heavy rock. Founded by guitarist Jan Kuehnemund and later associated with the classic lineup of Kuehnemund, Janet Gardner, Share Ross, and Roxy Petrucci, the band broke through with the 1988 self-titled album and the hit Edge of a Broken Heart. Their sound sits in the polished lane of melodic hard rock, with tight guitar parts, harmony-rich choruses, arena-sized drums, and a balance between pop accessibility and metal-era flash. Rev It Up continued that identity with songs such as How Much Love and Love Is a Killer, showing a band that could compete directly in the MTV hard rock environment rather than being treated as a novelty. Vixen's history includes long breaks, lineup changes, reunion activity, and the lasting shadow of Kuehnemund's death, but the name remains important. They matter because they carved out space in a scene that often marketed women as exceptions. Vixen's best songs endure as sharp, melodic, professional hard rock, carried by musicianship, hooks, and a legacy of persistence.