Fuzzed-out Stoner Rock / Metal from San Antonio.

Chesterton, Indiana's Hellgrind have been grinding out punishing death metal from the industrial Midwest since 2019, their sound shaped by the region's working-class grit and no-frills aggression. Straight-ahead and ferocious, they owe nothing to subtlety.

Kalamazoo, Michigan's Hellhole channel the sweeping melodic death metal tradition into tight, riff-driven songs that balance brutality with songcraft since 2013. Melody and violence coexist in their work without either element compromising the other.

Hellish Form push doom to its most suffocating extreme, folding sludge's abrasive texture into funeral doom's glacial pace and near-unbearable weight. Formed in 2020, they embrace desolation as an art form — slow, suffocating, and strangely beautiful.

Short-lived black/thrash n roll in the vein of Destroyer 666, Midnight, and Bathory. Active 2014-2016.

Hellmask operates in the furthest reaches of funeral doom and ambient metal, crafting recordings since 2017 that feel less like songs and more like long descents into irreversible darkness. Atmosphere is the entire purpose here, and they wield it with unsettling mastery.

Out of Philadelphia, Hellrad crush under the full weight of sludge metal, piling on slow, suffocating riffs and the kind of feedback-drenched misery that makes you feel the humidity before the storm hits. They formed in 2017 with a dedication to dragging listeners through the muck.

Raleigh's Hellrazor have been sharpening their thrash attack since 2011, delivering the kind of no-frills neck-wrecking riffs that could only come from a band with something to prove in the American South's underrated metal underground. Fast, lean, and built to destroy.

Brooklyn's Hellreign bring a cold, unforgiving black metal aesthetic to New York City, forging bleak tremolo walls and icy atmosphere since 2017. Their urban environment gives the darkness a peculiar, concrete-and-shadow texture.