Explore US Metal

Browse US Metal Bands

99 bands found
Buffalo, NY · 2022–present · active
Better Lovers emerged as a supergroup from the wreckage of Every Time I Die, uniting vocalist Greg Puciato (ex-Dillinger Escape Plan) with ETID guitarist Jordan Buckley, drummer Clayton Holyoak, and bassist Stephen Micciche. Their 2023 debut 'God Made Me an Animal' channels chaotic mathcore fury and experimental edge into one of the heaviest new projects of the decade.
Hollywood, CA · 2006–present · active
Black Veil Brides reignited glam metal theatricality for the Hot Topic generation, pairing Andy Biersack's commanding stage presence with anthemic, dual-guitar-driven metal that owes as much to Kiss and Motley Crue as it does to modern metalcore. Albums like 'Wretched and Divine' and 'Vale' cemented them as one of the most polarizing yet commercially successful rock acts of the 2010s.
Phoenix, AZ · 2003–present · active
Phoenix metalcore stalwarts blessthefall built their reputation on explosive live shows and a dynamic interplay between screamed and sung vocals across a string of critically acclaimed albums. From 'Witness' through 'Hollow Bodies,' the band became a cornerstone of the Warped Tour era, blending post-hardcore emotion with metalcore precision.
Hartford, CT · 2014–present · active
Boundaries are a metallic hardcore band from Hartford, Connecticut who formed in 2014 and specialize in a vicious blend of hardcore punk and death metal. Their album 'My Body in Bloom' earned acclaim for its relentless aggression and surprisingly melodic undercurrents beneath the chaos. The band channels visceral emotion through a wall of crushing riffs and desperate screams that place them among the most intense acts in modern hardcore.
Los Angeles, CA · 2010–present · active
Butcher Babies formed in Los Angeles in 2010 and made their first impression through a deliberately confrontational mix of groove metal, metalcore, horror imagery, and dual-fronted aggression. Heidi Shepherd and Carla Harvey gave the early band a visual and vocal identity that drew attention quickly, but the music around that image was rooted in heavy riffing, shouted hooks, and the kind of bounce that links modern metal to Pantera-descended groove. Goliath and Take It Like a Man established the band for larger metal tours, while Lilith and the double-release Eye for an Eye... and ...'Til the World's Blind showed a more flexible version of the group, moving between harsher tracks, melodic choruses, and personal themes. The lineup's later changes shifted the public story, but Henry Flury's guitar work and the band's road-tested attack remained central. Butcher Babies are often discussed through image first, which can obscure the practical strength of their writing: compact riffs, direct vocal hooks, and songs built for festival pacing. Their best material works when spectacle and punch move together.
New Orleans, LA · 2012–present · active
Cane Hill crawled out of New Orleans in 2012, forging a caustic blend of nu-metal, industrial, and metalcore that sounds like a panic attack set to music. Vocalist Elijah Witt's unhinged screams and unsettling clean passages drive albums like 'Too Far Gone,' which channels the desperation and darkness of their hometown's underbelly. Their willingness to embrace nu-metal's confrontational edge while pushing into heavier territory gives them a unique position in modern heavy music.
Nashville, TN · 2017–present · active
Chamber are a Nashville metalcore band formed in 2017, known for a violent, dissonant style that the group has framed as psychotic mosh metal. Their music pulls from metalcore, mathcore, death metal, hardcore, and industrial-tinged noise, creating songs that feel unstable even when the riffs are tightly arranged. Early EPs such as Hatred Softly Spoken, Final Shape/In Search of Truth, and Ripping / Pulling / Tearing led into full-length records including Cost of Sacrifice and A Love to Kill For, each sharpening the band's taste for odd-time punishment and abrupt mood shifts. Chamber's guitars scrape and twist rather than simply chug, while the drums often move between blast-driven chaos and breakdown weight. The vocals are harsh and desperate, matching lyrics that lean into fear, obsession, violence, and emotional ruin. Nashville is not always foregrounded in national conversations about metallic hardcore, but Chamber make a strong case for the city's heavier underground. Their songs are not designed for passive listening. They are tense, hostile, and physically demanding, but the disorder is organized. Chamber matter because they bring mathcore danger back into metalcore without losing the pit-centered force that makes the music hit in a room.
· 2012–present · active
Conquer Divide formed in 2012 as an all-female metalcore band whose members initially connected online from various locations across the US before coalescing as a touring act. Their dual vocalist approach, pairing aggressive screams with soaring clean singing, drives the catchy yet heavy songs on their self-titled debut and follow-up 'Slow Burn.' The band challenges the male-dominated metalcore scene not through gimmickry but through consistently strong songwriting and technical proficiency.
Fremont, OH · 2012–present · active
Convictions write metalcore as open-wound catharsis, using breakdowns, screamed vocals, melodic choruses, and faith-informed lyrics to turn trauma into confrontation. Their work is direct about grief, addiction, suicide, spiritual doubt, and the search for hope, but the emotional weight is matched by physical heaviness. Records such as I Will Become and I Won't Survive move between punishing low-end sections, post-hardcore melody, and sudden clean-vocal lift, often framing songs like testimony rather than abstraction. Vocalist Michael Felker's delivery gives the band much of its force, shifting from raw screams to exposed melodic lines without softening the subject matter. Convictions also keep a live-band urgency that matters in modern metalcore: riffs hit in short bursts, drums drive the transitions, and breakdowns arrive as emotional punctuation rather than empty impact. The band's identity is not just aggression or uplift, but the collision of both, with heavy music used as a vehicle for survival, confession, and release.

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