San Francisco's Extermination have been keeping the Bay Area's thrash tradition alive since 2013, drawing direct lines back to the scene that gave the world Metallica, Exodus, and Testament. Their music honors that legacy without merely imitating it — aggressive, riff-driven, and unashamed of where it comes from.

San Fernando Valley's Extinction have been fusing thrash and death metal since 2020, drawing on Southern California's long relationship with extreme music to produce something that honors both traditions. The Valley's sprawling suburban geography seems to fuel a certain restless, aggressive energy in the bands it produces.

Ventura, California's Extinction Lord have been playing straight-ahead thrash metal since 2015, operating just north of Los Angeles in a coastal community with its own distinct metal identity. Their focus is unapologetically traditional — fast, riff-heavy, and committed to the genre's core values.

Beaverton, Oregon's Extractor have been grinding out aggressive thrash since 2017, drawing on the crosstown spirit of the Pacific Northwest's underground metal scene. Their sound is rooted in classic thrash mechanics — locked-in riff patterns, velocity, and a no-nonsense approach to heaviness.

Albuquerque's Extremist have been forging death/thrash metal in the New Mexico desert since 2014, where isolation seems to breed a particular kind of ferocity. Their music straddles the grinding brutality of death metal and the galloping momentum of thrash, built for the headbang and the mosh in equal measure.

Tempe, Arizona's Eye Rake formed in 2016 with one foot in thrash and one in the reckless energy of crossover, a combination well-suited to the desert heat of the Phoenix metro. Their music hits with the blunt efficiency of early DRI and Wehrmacht — fast, nasty, and entirely uninterested in subtlety.

Webster, New York's F.U.B.A.R. have been channeling the reckless energy of crossover thrash since 2005, delivering the kind of bulldozing, punk-infused thrash that does exactly what the name implies.

Long Beach's F.U.B.A.R. bring the hard-living spirit of Southern California's hardcore and metal crossroads to their thrash, cranking out fast, aggressive riffs with a chaotic punk edge since 2005.

Cleveland's F.U.D. carry on the Rust Belt tradition of no-bullshit crossover thrash, formed in 2019 with a sound that punches hard and moves fast — fear, uncertainty, and doubt rendered in guitar and blastbeats.

Boston's Face First charge straight at crossover thrash from the ground up — formed in 2017, they combine the speed and riff density of thrash with hardcore's confrontational directness, staying true to the streets of Massachusetts.

Drexel Hill, Pennsylvania's Face First keeps it strictly thrash — formed in 2017, this project strips the genre down to its essentials: heavy riffs, driving rhythm, and no pretense.

Out of Mystic, Connecticut, this Face First blends thrash, groove metal, and metalcore into a hybrid sound that's been evolving since 2017, keeping a coastal New England edge to its aggression.

Neenah, Wisconsin's Face the Horde have been combining death and thrash metal since 2019, channeling Midwest grit into tight, aggressive riffing that draws from both genres without splitting the difference.

Marshfield, Missouri's Face the Wheel deal in the classic intersection of heavy and thrash metal, putting meat on the bones of a sound that's been core to American metal since 2018.

Lowell, Massachusetts's Faceless Enemy started in 2022 as brutal deathcore before pivoting toward slam and brutal death metal — an evolution toward pure extremity with no interest in accessibility.