Dolore Affectus — Latin for "pain" and "suffering" — is a US black metal project that emerged in 2020 with a name that lays its aesthetic philosophy bare from the outset. Rooted in the rawer, more introspective traditions of the genre, the project leans into the emotional devastation that the best black metal weaponizes. Their anonymity and lack of fixed location only adds to the isolationist mystique central to their craft.

Alhambra, California's Dominion have been carving out their corner of the West Coast death metal underground since 2016, trading in the kind of punishing, technically-minded brutality Southern California has long incubated. The band's Bandcamp presence under the "ashen" moniker hints at a sound steeped in ash-and-ruin imagery befitting the genre's bleakest tendencies. They represent the current generation of LA-area death metal acts keeping the flame burning in the shadow of the genre's old guard.

Formed in Birmingham in 2018, Domnitor work the volatile intersection of death and black metal, a fusion that produces something uglier and more unpredictable than either genre alone. Their Bandcamp handle — "domnitorulrau," Romanian for "the evil ruler" — suggests a fascination with Eastern European black metal mythology and historical darkness. The blending of death metal's blunt physicality with black metal's atmospheric savagery gives their sound a distinctly volatile edge.

A brand-new entry from Kansas City, Missouri, Don Tvsk formed in 2025 at the intersection of black metal's cold fury and doom's crushing torpor. The pairing is a natural one — both genres traffic in despair, just at different tempos — and Kansas City's underrated extreme metal community provides a fitting home for such an uncompromising project. With their ink barely dry, they are among the most recently formed black/doom acts in the current American underground.

Seattle's DoomHawk have been one of the Pacific Northwest's most eclectic extreme metal acts since 2007, weaving folk instrumentation through the twin brutalities of death and black metal to conjure something genuinely strange and ancient-feeling. Their long tenure in Seattle's heavy underground spans nearly two decades, giving them a maturity and stylistic range few local contemporaries can match. The folk elements add an earthy, pagan quality that cuts against the genre's more urban and industrial impulses.

Florida's DoomWake weaves together depressive black metal and funeral doom into a sound that feels like watching something beautiful rot in the subtropical heat — slow, suffocating, and shot through with cold tremolo melody. Active since 2017, the project operates at the intersection of hopelessness and atmospherics that defines the DSBM tradition, though their doom metal undercurrent adds a physical weight that purely black metal acts often lack. It's music that lingers long after it ends, like a fever that won't break.

From the small South Carolina town of Lyman, Doriyah has carved out an imposing blackened death-doom sound since forming in 2021, the isolation of the Upstate region evident in the claustrophobic density of their music. The band pulls from every dark tradition in their genre crossroads — the ferocity of black metal, the devastating weight of doom, the blunt-force trauma of death metal — and synthesizes them into something that feels genuinely oppressive. In a state with a smaller but intensely dedicated metal underground, Doriyah represent the kind of uncompromising artistry that thrives in obscurity.

Doubt Plague is a U.S.-based black metal project that emerged in 2021, operating with the anonymity that suits the genre's most interior-facing traditions. The music traffics in the cold, contemptuous fury of black metal stripped of any redemptive warmth — the kind of project that seems to exist because it has to, not to be seen. No location, no face, just the plague of doubt rendered as serrated tremolo and blastbeats.

Richmond, Virginia's Doubtfire has been hybridizing blackened sludge and progressive metal since 2015, working in a city whose heavy music community has long favored the ambitious and the abrasive in equal measure. The band layers the suffocating low-end mass of sludge metal against black metal's caustic atmosphere, then unsettles both with progressive structures that deny easy resolution. Richmond's status as a Southern post-industrial hub gives their sound an almost geographical texture — worn down and spiky at once.