Michigan's Crown of Asteria is a primarily solo atmospheric black metal project rooted in folk and nature-worship themes, built on layered, pagan-influenced compositions that evoke the forests and lakes of the Great Lakes region. Their music is immersive and reverent, steeped in earth-bound spirituality.

New Hampshire atmospheric black metal project Crystalgazing weaves sweeping, frost-bitten soundscapes around tremolo-heavy guitar work and blasting percussion. The band conjures a deeply introspective and icy atmosphere from the Northeast wilderness.

Troy, New York's Cur inhabit the colder reaches of atmospheric black metal, blending the Upstate New York landscape's industrial bleakness with expansive, textured guitar work and a raw, introspective approach to the genre. The Capital Region's extreme underground has long operated in the shadow of New York City, but projects like Cur make it clear that the real darkness runs north.

Seattle atmospheric black metal project conjuring vast, frost-bitten soundscapes layered with cold tremolo riffs and haunting ambience. Cursed Amulet channels the Pacific Northwest's brooding atmosphere into expansive black metal ritualism.

Colorado atmospheric black metal project drawing its name from a parasitic vine to reflect a music of creeping, consuming darkness. Cuscuta builds immersive, frost-bitten black metal atmospheres from the high plains.

Hailing from Menifee, California, Damnum sculpt atmospheric black metal that trades in grief and grandeur in equal measure, letting melancholy melodies ripple beneath a fog of dissonance. The project has been releasing emotionally charged work since its 2019 formation.

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Blasphemous Atmospheric Black Metal from Austin.

Minneapolis's Deadland craft atmospheric black metal shaped by the long, brutal winters of the upper Midwest, painting sweeping, cold-wind soundscapes since 2017. Their music evokes the wide open desolation of the northern plains.