Fuzzed-out Stoner Rock / Metal from Austin.

Troy, New York's Desintegrator arrived on the stoner metal scene in 2023, bringing the genre's fuzz-heavy, riff-centric approach to upstate New York's blue-collar post-industrial landscape. Their name captures the slow, dissolving quality of their music — heavyweight and hypnotic, built for extended trips rather than quick hits.

Salisbury, Maryland's Dirt Woman have been cultivating their stoner/doom sound since 2017, drawing from the flat coastal plain of the Eastern Shore to produce music that feels thick, hazy, and unhurried. Their sound has the slow gravitational pull of something that grows out of quiet places that have had time to think.

Los Angeles's Divola have been bending stoner metal through an experimental prism since 2013, producing music that swaps the subgenre's usual comfort-food riff cycles for something stranger and more unpredictable. Operating in the LA underground, they bring a psychedelic restlessness to heavy music that resists the familiar and keeps the listener off-balance.

Seattle's DIYU — named for the Chinese realm of the dead — have been channeling the Pacific Northwest's damp, oppressive atmosphere into doom and stoner metal since 2019. Their sound is slow and heavy in the way Seattle seems built to produce, smoke-filled and gravitational, pulling the listener into the kind of narcotic heaviness the city's underground has specialized in for decades.

Indianapolis's Doomcow have been plowing through the stoner metal pastures since 2015, delivering the fuzz-soaked, cannabis-drenched heaviness that the genre promises without apology. The name alone signals their philosophy: slow down, turn up the low end, and let the riff do the work. In a city not typically associated with psychedelic heaviness, they carve out a distinctly hazy, bovine corner of the Midwest underground.

Houston female-fronted traditional doom. Signed to Ripple Music.

Out of Trenton, New Jersey since 2015, DopeRider rolls out a heavy, fuzz-drenched stoner doom that owes as much to Black Sabbath as to the sludgier side of the Sleep catalog. The industrial decay of Trenton seems to seep into their sound, which hits with the grim persistence of a city that's been through the wringer and keeps crawling forward. Their riffs are slow, massive things — the kind that seem to push actual air when they drop.

Lansing, Michigan's Dozic have been grinding out a gritty blend of stoner and thrash metal since 2012, combining the lumbering heaviness of the Midwest with the riff-forward momentum of classic Bay Area thrash. Their sound has the loose, high-energy feel of a band that built itself in dive bars, where fuzz-coated grooves and shredded tempos share equal billing.

Dragon Feeder emerged from Chicago in 2013 playing the kind of stoner metal that sits as comfortably alongside heavy psych rock as it does doom — slow, fuzz-drenched, and more interested in a hypnotic groove than in obliterating the listener. The city's dense, hardscrabble energy seeps into their riffs, which carry more grit than the sunbaked stoner acts of the American Southwest.

Levittown, New York's Dragons Bane have been trading in heavy, riff-centric stoner metal since 2013, built on the kind of thick, slow-rolling grooves that owe as much to Black Sabbath as to anything from the California desert scene. Long Island's working-class sensibility gives their sound a grounded, unflashy quality — they're more concerned with making rooms move than with cult-of-the-riff posturing.

Founded in Putney, Vermont in 2023, Draiodoir (the Irish word for druid or sorcerer) bring a pagan sensibility to their blend of stoner and doom metal, rooting their slow, fuzz-heavy sound in something earthy and ritualistic rather than purely nihilistic. Vermont's deep rural character and Celtic heritage seem to genuinely inform the project, giving the music a quality that feels less like genre exercise and more like incantation.

Madison, Wisconsin's Droids Attack have been a fixture of the Midwest stoner metal underground since 2004, building a catalog of heavy, fuzz-loaded riff rock that nods to the desert rock lineage while keeping things rooted in the Midwest's own brand of unpretentious heaviness. Over two decades they've honed a sound that's equal parts groove and tonnage.

Fremont's Druid surfaced in 2018 playing doom and stoner metal with a California haze built into every riff — slow-rolling tempos, fuzz-heavy tones, and an emphasis on hypnotic groove over urgency. The Bay Area underground has long supported this kind of deliberate, weight-focused heavy music, and Druid fits naturally into that lineage.

Herndon, Virginia's Druid Stone formed in 2021 playing stoner and doom metal with a noise rock edge that keeps their sound from settling into pure genre comfort. The Northern Virginia suburb isn't a traditional heavy metal hub, which may explain the band's willingness to let noise and texture intrude on the expected fuzz-and-riff formula.