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Jersey City, New Jersey stoner-doom band Changeörder traffic in heavy, fuzz-saturated riffs and slow grooves rooted in the traditions of Black Sabbath and early American stoner rock. Their sound is thick and repetitive, built for maximum sonic weight.

Chaosmic is a progressive stoner metal band from Raleigh, North Carolina, formed in 2011, that fuses heavy psych and doom-influenced riffs with dynamic song structures drawing from influences ranging from Mastodon and Electric Wizard to Opeth and Tool. Their album Sunborn demonstrates their blend of heavy textures and melodic songwriting.

Chapstik is a stoner and thrash metal band with roots in San Antonio, Texas, that relocated to Detroit, Michigan, playing a low-end-heavy blend of Melvins-influenced sludge and punk-edged thrash. The band released three full-lengths across their active years from 1997 to 2011, including Barnburner on Unfortunate Miracle Records.

Named after the Lovecraft protagonist, Mobile's Charles Dexter Ward channels cosmic dread into slow-grinding stoner metal drenched in psychedelic murk. Their Southern-fried heaviness is tempered by a reverence for occult atmosphere.

Indiana's Charybdis forge a hybrid of death metal, groove, and hardcore that refuses easy categorization, with the visceral directness of punk bleeding into extreme metal's more crushing textures. Their sound has a blunt, functional brutality that suits the unpretentious character of the Midwestern underground.

Kansas City's Chasm trades in heavy, rolling stoner metal built on slow-burn riffs and psychedelic undertow. Their sound fits naturally within the Missouri underground's appetite for thick, fuzz-drenched heaviness.

Philadelphia's Chemical God trudges through the murky intersection of doom, sludge, and stoner metal with monolithic, fuzz-soaked riffs and a hypnotic low-end rumble. Their music worships at the altar of heaviness.

Rochester, New York's Chillum sinks deep into the swampy intersection of sludge and stoner metal, delivering slow, fuzz-drenched riffs designed to crush. Their music is immersive and heavy, owing debts to both the Southern sludge tradition and psychedelic smoke-worship.