Salt Lake City's Hyde Park blend stoner, sludge, and doom into something ponderous and psychedelic since 2021, the high-altitude desert setting lending their sound an arid, expansive quality. Fuzz-drenched and unhurried.

Fresno's Hymns to the Stone move at the pace of sediment, layering stoner fuzz, sludge grime, and doom weight into slow-burning rituals of sound. Since 2014, they've treated heaviness as a meditative practice rather than a competition.

Rochester's stoner metal crew pilots a vessel loaded with fuzz-soaked riffs and woozy desert grooves, pulling hard on the tiller since 2015. Their sound sits somewhere between a bar-room strut and a narcotics-induced drift.

Boston's prolific stoner/doom shapeshifters have been churning out hazy, low-slung riff workouts since 2007, their psychedelic tendencies pulling the heavy blues toward realms both cosmic and oppressively earthbound.

Houston's Imp Tea brews stoner and doom metal into a slow, hazy concoction that reflects the city's humid lethargy — heavy enough to crush, loose enough to feel lived-in.

Crushing Southern / Heavy Metal, Stoner / Doom Metal from College Station.

Emerging from Morehead, Kentucky, Jack-in-Irons has spent over two decades weaving psychedelic doom and stoner metal into a thick, unhurried sound rooted in the heavy traditions of Appalachian isolation — slow grooves, fuzzed-out tones, and an earthy weight that lingers.

Spartanburg, South Carolina's Juggernaut lean hard into the regional flavor of Southern metal, fused with the slow, hazy density of stoner metal — humid, heavy, and dragged down to just the right tempo.

St. Louis Park, Minnesota's Juggernaut bring a northern take on stoner metal — fuzzed-out riffs and hazy grooves from a state whose long winters seem purpose-built for heavy, slow-burning music.

Cincinnati's Junior Crime Fighters have been pairing stoner fuzz with doom's crawling tempos since 2014, building a sound out of Ohio's rich heavy underground that rewards patience with crushing, satisfying payoffs.

Los Angeles stoner/doom act Jurassic Witch conjure a prehistoric-weight heaviness — low-tuned, fuzz-drenched riffs moving at tectonic pace through a haze of amplifier worship. Formed in 2021, they fit naturally into LA's vibrant heavy underground.

Stoner/doom duo Kalgon arrived out of Asheville, North Carolina in 2024, planting themselves in a city long synonymous with heavy, riff-driven underground music. Their sound is thick and slow-moving, built on the fuzz-soaked foundations that have made Asheville a haven for this kind of music.

Denver's Kamru brew thick stoner/doom metal in the tradition of the Colorado high country, where the altitude seems to slow everything down to the right speed. Formed in 2022, they've been carving out a place in a city with a rich legacy of heavy, riff-forward underground music.

San Jose, California's Kevel have been in the heavy fuzz game since 2014, pairing stoner rock's psychedelic warmth with doom metal's glacial pace for a sound that's hazy, heavy, and fully hypnotic.

Fresh out of Asheville, North Carolina in 2025, Killiad brew sludge, stoner, and doom into something slow-boiled and heavy as wet earth. Asheville's fertile heavy underground provides the perfect conditions for this kind of deliberate, bone-deep metal.