Miami guitarist and bandleader Rodrigo Herrera launched this project in 2023 at the intersection of progressive and groove metal, drawing on South Florida's rich Latin musical culture and fusing it with the polyrhythmic complexity of progressive metal and the locked-in heaviness of groove. It's a project defined by instrumental sophistication and a clear sense of rhythmic identity.

Technical progressive metal solo project from San Antonio.

San Francisco's Rubicon has been refining a progressive and power metal hybrid since 2015, drawing on the Bay Area's rich technical metal heritage while reaching for the soaring, melodic ambition that defines the power metal tradition. Their music balances intricate composition with driving, anthemic energy.

Illinois act Ruby Rockatansky, formed in 2022 and named after a Mad Max character, combines the complex song structures of progressive metal with the raw momentum of thrash — a nervy, cinematic take on both genres that leans into tension and velocity in equal measure.

Epic Progressive / Power Metal from Austin.

Palmdale, California's Ryan Wolanski is a one-person project weaving together symphonic orchestration, progressive complexity, and metalcore's melodic aggression into a densely layered solo output since 2017.

Rêx Mündi is an American black metal project operating since 2011, drawing on the rawness and esoteric atmosphere that define the genre's underground tradition, with an identity rooted more in concept than geography.

Denver's Saeva occupy a distinctive space in the Rocky Mountain metal underground, blending post-black metal's expansive atmospherics with progressive architecture and genuine black metal menace since 2019. Their music breathes at altitude — sprawling, searching, and capable of pivoting from crystalline ambience into punishing darkness within a single track.

Huntington Beach's Salem have built their sound since 2013 around progressive heavy and power metal — melodic without being soft, technically ambitious without losing sight of the riff. They bring a Southern California clarity to a style often associated with European grandeur, delivering anthemic songwriting grounded in genuine metal craft.

Tucson's Salent are a newly formed progressive thrash/death outfit drawing on the Southwest's history of technically inclined metal — music that values both aggression and complexity, where time signatures shift as naturally as the rhythm section locks in. Their progressive death/thrash approach promises a band willing to let songwriting sprawl as much as it punishes.

Progressive death metal from Dallas.

Filthy Progressive Black Metal out of Texas.

From North Andover, Massachusetts, Scanning Antarctica have been building progressive and power metal compositions since 2014 — melodic, technically ambitious music that favors intricate arrangements and soaring clean vocals over the heavier extremes of the genre. Their location in the New England metal underground lends them a certain craftsman's quality, precise and deliberate in both construction and execution.

Devastating Progressive Death Metal from San Antonio.

Scott Kelly is the longtime frontman of sludge-doom legends Neurosis, and his solo work — launched in Oakland in 2001 — strips the massive amplification away to reveal something rawer and more intimate: acoustic folk, sparse progressive structures, and the same scarred emotional intensity that defines his work with his main band. His voice, weathered and confessional, carries the weight of decades of extreme music through arrangements built on fingerpicked guitar and quiet devastation. It is metal's spirit filtered through folk's bones.