San Marcos outfit Ruminations blend death metal ferocity with the glacial, suffocating weight of doom, crafting death-doom that leans into oppressive atmosphere and crushing tempo shifts since 2020.

Out of Great Falls, Montana, Runecaller traffic in slow-burning stoner doom, fusing the fuzz-heavy haze of stoner rock with the lumbering dread of doom metal in one of the state's more isolated metal scenes since 2022.

Suffocating Doom / Stoner Metal / Shoegaze out of Texas.

Crushing Psychedelic Rock, Doom Metal from New York, New York /.

Austin doom metal. Crushing riffs channeling Black Sabbath worship.

Filthy Depressive / Post-Black Metal from Oak Park, Illinois (early); Texas (mid); Baltimore, Maryland (later).

Saint Vitus are one of the foundational architects of American doom metal, the Los Angeles band having defined the form's slow-motion anguish and lysergic heaviness across decades of influential releases. Revived in their current incarnation since 2012, they remain a towering reference point for every doom band that followed — unhurried, crushing, and utterly singular.

Crushing Heavy / Doom Metal from Houston.

Minnesota's Sanguivore have been forging blackened sludge and doom since 2019 in the tradition of bands that take the genre's bleakest impulses from both directions — the cold aggression of black metal and the suffocating weight of sludge/doom — and compress them into something genuinely oppressive. The upper Midwest winter lives in their sound.

Boulder, Colorado's Sarcophagus have been mining doom/death metal's mournful depths since 2018, bringing a high-altitude weightiness to a subgenre built on density and grief. The Rocky Mountain setting suits the sound — there's something about thin air and vast silence that maps naturally onto doom/death's slow processions.

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Colossal Gothic / Doom Metal from Houston.

Washington State's Scab emerged in 2021 operating in the suffocating space between death and doom — slow, grinding compositions where death metal's brutality is stretched into agonizing, doom-paced dirges that feel both ancient and diseased. Their death/doom approach emphasizes atmosphere as much as violence, drawing from the moldering tradition of acts like Incantation and Autopsy.

Denver, Colorado's Scepter of Eligos take their name from Eligos, the demonic Duke of Hell who reveals secrets of war, and their music channels a similarly oppressive weight — blending doom's slow crawl with death metal's brutality and sludge's toxic atmosphere since 2013. Mile High altitude seems no obstacle to achieving the lowest, heaviest possible sound.

please update this band