Active off and on since 1999. One of Austin's earlier sludge/stoner acts, predating much of the city's current heavy scene.

Boston's Ehnahre occupies genuinely difficult terrain: experimental doom and death metal that refuses the comfort of familiar structures, built since 2008 by musicians who seem more interested in dread and dissonance than aggression alone.

Pennsylvania's Eidolon has been constructing funeral doom with the patience the subgenre demands since 1992, one of the longer-running practitioners of death in slow motion — a ghost form that refuses to dissipate.

Portland's Eight Bells weave progressive, doom, and sludge into something genuinely graceful — feminine vocals over cavernous weight, a combination that has made them one of the more distinctive acts in the Pacific Northwest's metal underground since 2013.

Cedar Rapids, Iowa's Ekos has spent over a decade crafting psychedelic doom and stoner metal that feels like a long, hazy drive through the American interior. Slow-burning riffs and an acid-tinged heaviness have been their stock in trade since 2011.

Ventura, California's El Barbaro occupies the brutal intersection of doom, sludge, and hardcore, a combination the band has been weaponizing since 2012. Crushing tempos and hardcore aggression collide with the genre's suffocating low-end weight.

Pennsylvania's Eld Fen is a progressive doom outfit formed in 2024, arriving with a sound that rewards patience — slow, heavy passages that build and evolve with genuine structural thoughtfulness. A very new act with clear ambitions.

Philadelphia's Elderwyrm crawls through the fertile ground between stoner and doom metal since forming in 2022, the serpentine name matching a sound built on slow, coiling heaviness and fuzz-thick riffs. Classic Philly grit runs underneath the haze.

Richmond's Eldritch have spent well over a decade warping the death/doom template with psychedelic currents, producing music that feels both ancient and hallucinatory — slow, murky, and deeply strange.

Stamford, Connecticut's Electric Beast weaves together progressive doom and stoner heaviness into long, sprawling tracks that build slowly before collapsing under their own weight — a band for the patient and the stonerd alike.

Orlando's Electric Dawn wraps psychedelic stoner and doom metal in a sun-bleached haze, the humid weight of Florida coming through in every note since the band formed in 2018.

Lancaster County, Pennsylvania's Electric Horsemen have been plowing through doom and sludge since 2006, their sound built on crushing, slow-motion riffs and the kind of rural grimness that comes from years in the underground.

Named with appropriate menace, Lakewood, Ohio's Electric Lucifer play stoner-soaked doom metal with a Sabbath-worshipping dedication — heavy, languid, and thoroughly infernal since 2013.

Indianapolis's Electric Satan cast a wide net across blackened death and doom metal, forging a sound since 2018 that is equal parts sinister and suffocating — the city's underground distilled into something genuinely malevolent.

Born on Cape Cod in 2021, Electric Tomb play heavy doom metal with an air of coastal isolation, their slow, tolling riffs carrying a kind of nautical bleakness that makes the Hyannis origins feel fitting.