Underground psychedelic doom conjuring dark fantasy and occult allegory. Featured on the 'Doomed & Stoned in Texas' compilation.

San Marcos, TX doom and stoner metal band that mixes heavy psych fuzz with the dirge-like pace of traditional doom. They ride the slow burn of Texas heat into heavy, hazy oblivion.

Champaign, IL doom and stoner metal band that exhales enormous, fuzz-drenched riffs at a pace that borders on ceremonial. Their music is heavy in the way weather systems are heavy.

Charlotte, NC doom and stoner metal band that builds slow, towering walls of fuzz and feeds them through reverb-soaked amplifiers. They have a flair for the dramatic and the catastrophically heavy.

Lyndon Station, WI doom and stoner metal band that sounds like they found something buried and forgotten in the Wisconsin countryside and turned it into riffs. Slow, heavy, and unhurried.

Goleta, CA doom metal band that channels the rolling weight of the Pacific into slow, crushing compositions. Their riffs move like deep water — powerful, patient, and inescapable.

Pasadena, CA doom and stoner metal band that has fully embraced the fuzz-drenched, heavy psych sound cultivated across Southern California. Their music sounds like standing in a warm, swirling darkness.

Vancouver, WA doom and gothic metal band that fuses the melodrama of gothic metal with the heaviness of traditional doom. Their music is dark, theatrical, and drenched in atmosphere.

North Little Rock, AR doom and stoner metal band that devours everything in its path at a slow, unstoppable tempo. Their Arkansas-forged heaviness is deliberate, fuzz-laden, and utterly consuming.

Richmond, Virginia's Cough are one of the defining names in American doom and sludge metal, known for suffocating low-tuned riffs and punishing tempos. Their albums feel like descending into a tar pit — slow, dark, and inescapable.

Out of Kinder, Louisiana, Count Szar lay down oppressive walls of drone and doom metal, favoring ritual repetition and maximum low-end density. Their music feels rooted in the bayou's sense of isolation and slow-moving dread.

Jacksonville doom/sludge duo Count the Dead play with the kind of bleak economy that the genres demand — slow riffs, heavy hearts, no excess. Their Florida roots add a sun-bleached desolation to the characteristic sludge murk.

Wisconsin doom metal act Court of Beasts play slow and heavy with a gothic undertone, building long-form compositions around crushing low-tuned riffs and atmosphere. Their Neenah home in the industrial Great Lakes region feeds the bleakness of their sound.

Asheville, North Carolina's Covenator pair stoner metal's haze and warmth with doom metal's deliberate heaviness, crafting the kind of slow-burning music that fits the wooded mountains surrounding their city. Their riffs move like smoke — thick, slow, and hard to shake.

Long Beach stoner/doom act Covenaut traffic in fuzz-heavy riffs and slow grooves with a Southern California looseness. Their music is heavy but never punishing, built for listeners who want weight without sacrificing warmth.