Los Angeles sludge and doom metal band formed in 2017, operating in the long shadow of the city's thriving heavy underground with dense, slow-moving riffs and the kind of suffocating atmosphere that characterizes the best of the West Coast doom scene. The "sixesdoom" Bandcamp tag underscores where their loyalties lie.

Skeletizer is a stoner/doom metal band from Orlando, Florida, formed in 2026 and already carving out space in a Florida metal underground better known for death metal than slow, hazy heaviness. Their sound draws from the fuzz-drenched, riff-worshipping traditions of Electric Wizard and Sleep, transplanted to Florida heat.

Skeletomb is a Detroit, Michigan doom and groove metal band formed in 2021, combining the slow, oppressive crush of doom metal with groove metal's rhythmic heaviness in a way that suits the Motor City's industrial character. Their sound is massive and lumbering, built for large rooms and low frequencies.

Seattle's Skell has been grinding out thick, suffocating walls of sludge, drone, and doom since 2017, embodying the Pacific Northwest's long tradition of heaviness with slow-crawling tempos and abrasive textures built to crush.

Formed in St. Clairsville, Ohio in 2020, Skiba drags the heaviness of doom metal through thrash's aggressive forward momentum — an unlikely combination that suits the gritty, working-class sensibility of the Ohio Valley.

San Francisco's Skin Horse has been wading through thick sludge and crushing doom since 2016, drawing on the Bay Area's fertile heavy underground to craft slow, oppressive music with the weight of the Pacific behind it.

Huntington, West Virginia's Skincarver has been churning out sludge-drenched doom since 2016, embodying the heaviness that comes naturally to a hard-luck Appalachian city with a long history of hardship and a taste for music that doesn't flinch.

Peoria, Illinois' Skincase launched in 2023 rooted in stoner and doom metal's hazy, riff-forward tradition, an outfit from the industrial Midwest heartland that leans into fuzz-laden heaviness and psychedelic weight.

Corona, California's Skinslip work the intersection of sludge and doom, conjuring slow, weight-bearing riffs that reflect the smoggy, sun-bleached desolation of the Inland Empire since their formation in 2014.

Colossal Doom / Post-Metal / Shoegaze out of Texas.

Columbia, Missouri's Skooma have been deep in the stoner and doom underground since 2009, the band's name borrowed from Elder Scrolls fantasy lore as a fitting label for music built on hazy, repetitive riffs and slow, narcotic heaviness.

Troy, New Hampshire's Skrogg have been hauling massive stoner-doom riffs since 2011, cultivating a sound built on fuzz-soaked low-end and tempos that rarely rush — exactly the kind of unhurried heaviness that the small-town New England underground quietly sustains.

Chicago's Skull Decay work in the slow, cavernous territory where drone and doom intersect, using elongated song structures and severe low-end rumble to create an atmosphere of prolonged, unnerving decay since 2015.

Out of Mebane, North Carolina, Skull Servant play blackened thrash shot through with doom's heavy drag — a combination that gives their 2022-formed sound both speed and a suffocating, mid-tempo menace.

Winston-Salem's Skullcollector have been wallowing in the tar-thick overlap of doom, sludge, and stoner metal since 2013 — a North Carolina act that favors bone-heavy riffs, deliberate tempos, and a tone that sounds permanently coated in smoke.