Myrtle Beach, South Carolina death metal and grindcore outfit founded in 2013, specializing in the short, savage burst of sonic violence that the genre demands. Their approach leans into pulverizing downtuned riffs and relentless drum work with minimal concern for subtlety.

Independence, Missouri deathcore act with roots going back to 2007, combining the technical brutality of death metal with the breakdown-driven structure and vocal aggression that defines the deathcore template. They are among the longer-running acts in a subgenre prone to short lifespans.

Utah death metal project formed in 2021, excavating the bleaker end of the genre with an emphasis on crushing low-end and the kind of punishing tempo shifts that make death metal physically compelling. A newer act building a catalog in a state with a small but serious underground metal scene.

Hutchinson, Kansas act The Space Between pursue the crushing middle ground between death metal's aggression and doom's suffocating weight, forging death-doom that moves at a glacial, deliberate pace. Formed in 2019, their sound is marked by low tunings and a relentless sense of dread.

Olympia, Washington's The Speed of Darkness blend melodic death metal's harmonic sensibility with metalcore's dynamic structure and outright death metal brutality, crafting a sound that moves between melody and devastation with ease. Formed in 2019, the band draws from the Pacific Northwest's experimental heavy music tradition.

Boston's The Spiral Continuum arrived in 2023 as a technical death metal project committed to complex, labyrinthine song structures that spiral outward into unexpected rhythmic and harmonic territory. Operating out of a city with a deep extreme metal history, the band represents a younger generation of New England tech-death.

Prestonsburg, Kentucky's The Splitting fuse the corrosive weight of sludge metal with death metal's brutality, producing something rawer and more rural-feeling than the polished end of either genre. Active since 2015, they belong to the Appalachian underground where heaviness is measured in density and slow punishment.

Lowell, Massachusetts' The Summoned have navigated the technical death metal space since 2007, assembling intricate, precision-driven compositions with the kind of longevity that few extreme metal acts manage to sustain. Their two-decade presence in the New England extreme metal scene makes them one of the region's quietly durable acts.

Portland's The Sun Came Up upon the Left have been operating at the intersection of black and death metal since 2008, melding blackened atmosphere with death metal's physical weight in a city that has long fostered unusual and boundary-pushing heavy music. The literary quality of their name suggests a project with a strong aesthetic identity beyond pure aggression.