Kansas City's Dead on Collision smash death metal, grindcore, and hardcore into a single explosive wreck, built for speed and maximum damage. Formed in 2023, they operate with the urgency of a band with nothing to prove and everything to destroy.

Dallas' Dead Rising have been a fixture of the North Texas extreme underground since 2016, churning out death metal and grindcore that owes as much to blast-beat brutality as to the relentless D/FW scene that surrounds them. Fast, violent, and unapologetically extreme.

Out of central Illinois, Dead Shore play death metal with a regional underground ethos — blunt, unpolished, and committed to brutality over accessibility. Formed in 2014, they've carved out space in a scene that rewards staying power.

Eau Claire's Dead Soul Symphony combine the velocity of thrash with death metal's brutality, formed in 2021 with the kind of hunger that comes from building something in a smaller market with everything to prove. Wisconsin grit with a sharp, modern extreme edge.

Atlanta's Dead Speak put out death metal anchored in relentless aggression and old-school structural values, carving a niche in a city better known for metalcore and progressive sounds. Since 2018, they've been among the more straightforwardly brutal acts the Georgia capital has produced.

Phoenix's Dead Swarm started in groove metal's pocket and evolved toward death metal's brutality, reflecting the kind of gradual artistic hardening that comes with surviving the Arizona desert underground. Their trajectory since 2014 has been one of consistent escalation.

Salem, Oregon's Dead Thrall make technical death metal that prioritizes precision without losing ferocity, building dense, interlocking riff structures that unfold with surgical intent. Formed in 2022, they bring a welcome complexity to the Pacific Northwest's extreme scene.

Pittsburg, California's Dead Thrust combine death metal and grindcore into short, focused bursts of pure aggression, coming up in 2020 out of the Bay Area's long history of extreme underground music. Compact and merciless.

Chicago's Dead to Fall blend melodic death metal hooks with metalcore aggression, forging a sound that bridges Scandinavian riff sensibility with American heaviness. Formed in 2020, they carry on a tradition of midwest brutality wrapped in melodic tension.

Atlanta's Dead to the World fuse the melodic sweep of Gothenburg-style death metal with metalcore intensity, channeling Southern urgency into anthemic yet punishing songs. Since 2017, they've been one of Georgia's more compelling entries in the melodic extreme metal scene.

Houston's Dead Trip have been grinding out uncompromising death metal since 2004, rooted in the Texas tradition of no-frills brutality and bone-dry aggression. Two decades in, they remain a fixture of the city's underground extreme music community.

Out of Delaware County, Pennsylvania, Dead upon Arrival arrived in 2023 with a sound anchored in brutal deathcore — monstrous gutturals, pulverizing breakdowns, and death metal technicality all bearing down at once. Young and merciless, they're already making noise in the northeast extreme scene.

Santa Cruz's Dead War weaponize blackened death and thrash into something relentlessly combative, pulling from the raw Pacific coast tradition of filth and speed. Since 2016, they've burned through every genre boundary their name implies.

Albuquerque's Dead Wretch grind black metal and death metal down to something rawer and more chaotic, folding grindcore velocity into their desert-blasted extremity. Since 2016, they've been one of New Mexico's most relentlessly hostile exports.

Bay Area death metal act Deadabyss have been lurking in Alameda's underground since 2009, delivering the kind of no-frills, straight-ahead death metal that the California scene built its reputation on. Consistent and unadorned, they keep the old-school flame burning on the west side of the bay.