New Jersey's Gangr emerged in 2023 with a stark black metal approach that favors atmosphere and malevolence over accessibility. Still early in their existence, they carry the project-style intensity common to the current US black metal underground.

Named for the King of Evil himself, Escondido, California's Gannondorf have been playing raw, uncompromising black metal since 2010 with the single-minded ferocity their namesake would demand. Over a decade into their existence, they remain a committed presence in the Southern California underground.

Hailing from Normal, Illinois, Garg deals in raw, no-frills black metal that embraces the underground's most primitive and unpolished instincts. Formed in 2022, they work in the stripped-back style that prioritizes atmosphere through harshness over any kind of technical refinement.

Connecticut's Gargamel marries symphonic grandeur to black metal extremity, building elaborate, orchestral arrangements atop a still-venomous core. The project has been active since 2010, amassing a catalog that tilts theatrical without abandoning its harder impulses.

Springfield, Illinois outfit Gargantuan merges the atmosphere of black metal with the pummeling density of death metal into a sound that's as expansive as its name implies. Since 2019 they've built a reputation in the Illinois underground for uncompromising extremity.

Elizabeth, New Jersey thrash act Gargoyle channels the caustic energy of classic speed and thrash metal into a punishing and direct style. Formed in 2021, they keep the attack sharp and the tempo aggressive.

Named for the hound that guards the gates of Hel in Norse mythology, Milford, Connecticut's Garm pursues a raw and cold black metal sound with appropriately grim intent. Active since 2021, the project carries its mythological namesake seriously.

Richland, Washington's Garmr has been refining a bleak and atmospheric black metal sound since 2016, shaped in part by the arid, desolate landscape of eastern Washington's high desert plateau. The project shares its name with Norse mythology's underworld guardian, and the sound reflects that ominous provenance.

Walpole, Massachusetts act Garroted traffics in the blackened extremity where black and death metal merge into something malevolent and cold. Active since 2013, they bring a New England harshness to a style that has no patience for warmth.

Boise, Idaho's Garthim blends black metal's ferocity with dungeon synth's otherworldly ambience, creating music that is simultaneously aggressive and immersive. Active since 2005, the project draws from a fantasy-tinged sonic universe.

Charlottesville, Virginia's Garthim has been pursuing raw and atmospheric black metal since 2005, operating quietly in the mid-Atlantic underground with a sound defined by cold intensity. Despite sharing a name with the Boise project, the two exist independently.

Minnesota's Gates of Dawn exist at a strange and compelling crossroads — atmospheric black metal swirled through with psychedelic rock undertones and dungeon synth ambience, a combination that feels both vast and intimate. Their music conjures frozen northern landscapes and lysergic inner worlds in equal measure.

Taking their name from H.P. Lovecraft's dreaming fortress, Gates of Kadath traffic in black/death metal that feels suitably cosmic and malevolent. Formed in 2019 with no fixed location on record, they carry the air of something deliberately obscure.

Out of Orlando, Gates of Mourning have been one of Florida's more enduring black metal acts since forming in 2011, leaning into grim, melodic bleakness with a focused intensity. Their longevity in a genre that often burns bright and fast is itself a testament to their dedication.

Columbus, Ohio's Gates to the Abyss fuse blackened venom with melodic death metal's harmonic depth, resulting in a sound that's simultaneously punishing and richly textured. Since forming in 2017, they've developed one of the more nuanced takes on the blackened melodeath hybrid.