Minnesota's Sanguivore have been forging blackened sludge and doom since 2019 in the tradition of bands that take the genre's bleakest impulses from both directions — the cold aggression of black metal and the suffocating weight of sludge/doom — and compress them into something genuinely oppressive. The upper Midwest winter lives in their sound.

please update this band

Salt Lake City's Sardoniscorn have been conducting black metal from one of America's most incongruous cities for that genre since 2013 — the mountain geography notwithstanding, Utah's metal underground has always punched well above its weight. Their sound carries the isolation that defines much of the Great Basin, translated into cold, abrasive black metal.

Lawrence, Kansas's Sarkatha arrived in 2023 with a speed/thrash/black metal hybrid that pulls the Great Plains' wide-open emptiness into genuinely ferocious music. They operate in a college town with a surprisingly deep underground tradition, channeling that energy into a sound that refuses to pick just one lane between black metal's cold fury and thrash's kinetic aggression.

Austin's Sarpa have been pursuing black/death metal since 2020, bringing the Texas capital's increasingly dense extreme metal underground another entry in the serpentine tradition the band's name invokes. Their sound moves with the coiled aggression of the subgenre's finest work — death metal's weight carrying the black metal's atmosphere rather than the other way around.

Los Angeles's Satani Infernalis have operated in the raw black metal underground since 2016, a project that deliberately resists the city's association with polished production in favor of primitive, corroded sound design. Their music treats lo-fi aesthetics as an ideological position — raw black metal as it was always meant to be heard, unmediated and contemptuous of commercial refinement.

Phoenix's Satanic Gore Procession emerged in 2024 with the full-commitment intensity that raw black metal demands in the desert heat — a city better known for extreme temperatures than extreme metal, but whose isolation and hostility translates naturally into the genre's rawness. The project's name lays out its terms plainly: this is black metal with no interest in subtlety.

Illinois's Satanic Vomit arrived in 2025 with black metal built for maximum impact and zero compromise, a new project from the American Midwest that treats the genre's most confrontational aesthetics as both form and content. Their name signals everything you need to know about where they stand on the question of accessibility.

A Texas raw black metal project born in 2025, Satanik and Konfused embrace the deliberately primitive and abrasive end of the spectrum — lo-fi production, caustic riffs, and a contempt for polish that defines the raw black metal underground. Young and uncompromising, they represent the genre's DIY spirit in its most unfiltered form.