California's Heathendom formed in 2025 as a symphonic black metal project, layering orchestral grandeur over cold, dissonant riffing in the tradition of the genre's most theatrical practitioners. They're among the newest acts in the domestic symphonic black metal scene, arriving with fully formed ambition.

Born from the rust belt shadows of East Liverpool, Ohio, Heidentum channels a raw and ancient fury through primitive black metal that feels ripped straight from northern European soil. Formed in 2021, the project embraces pagan hostility with an American grimness all its own.

Los Angeles outfit Heil drags black metal into the sweat-soaked chaos of hardcore, fusing scathing tremolo aggression with the blunt physicality of the pit. Since 2012 they have weaponized both traditions into something confrontational and hard to classify.

Michigan's Heksebrann — the name meaning "witch burning" in Norwegian — conjures cold, ritualistic black metal from the rural quiet of Bancroft. Their sound carries the chill of a Midwestern winter stripped down to bone and frost.

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Salt Lake City's Hell9 refuses to settle into any single lane, colliding melodic death metal, black metal, and groove into something restlessly hybrid since 2022. The result is a dense and unpredictable listen that rewards attention to its many shifting parts.

Massachusetts's Hellbeast emerged in 2023 from the northeastern underground with a blackened death metal attack that makes no concession to accessibility. Raw, punishing, and unyielding, they traffic in pure extremity without ceremony.

Blasphemous Raw Black Metal out of Texas.

From the southernmost edge of Texas, McAllen's Hellbrood has served up raw black metal since 2013, carving out an unlikely but genuine outpost for the genre in the Rio Grande Valley. Their sound is bleak, stripped, and borders-defying.