Chicago's Deathandserenity work in the atmospheric space where post-black metal softens into something closer to melancholy — bleak but not entirely without light, and fully rooted in the city's expansive underground. Active since 2018.

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Out of Bismarck, North Dakota, Deathbed Dichotomy navigate the tension between blackened aggression and progressive metal's structural ambition — a pairing that feels especially stark given the band's remote northern plains origin. They've been at it since 2013.

Deathsbroom materialized somewhere in the US in 2023, a black metal entity that sweeps through tracks with the cold, unsettling efficiency implied by its name. Atmospheric and elusive, they've kept geography and identity deliberately shrouded.

Albuquerque's Deathscape arrived in 2021 with melodic death metal built for the vast, sun-bleached landscape of the Southwest, where Gothenburg-influenced hooks meet the open-road ferocity of desert-baked riffs. Wide skies, heavy guitars.

Chicago's Deathspade hit the ground in 2024 digging up a three-way hybrid of thrash, death, and black metal that sounds as uncompromising as the city's February wind. Raw and immediate, they've come out swinging with no interest in subtlety.

Riverside's Deathspell grafts the corrosive energy of black metal punk onto a Southern California underground framework, arriving in 2021 with a sound that's more street-level filth than cathedral grandeur. Mean, fast, and stripped to the bone.

Memphis black/death entity Deathspiral of Inherited Suffering carries the South's tradition of darkness into suffocating extreme metal territory, coiling grief and fury into a sound that feels both ancient and seething. Formed in 2023, they've already cultivated an air of grim inevitability.

Norwood's Deathstate has been cultivating a blackened death metal sound in suburban Massachusetts since 2014, merging the icy dissonance of black metal with the blunt-force attack of American death. Cold skies, colder compositions.