Denver pagan/black metal outfit Circle of Beings weave nature worship and ancient mythology into atmospheric, melodic black metal compositions. Their sound draws on European pagan metal traditions while reflecting the vast landscapes of the American West.

Wisconsin black metal act Circle of Wolves pursue a raw, cold sound rooted in second-wave tradition and midwestern isolation. Their recordings carry the grim, unadorned atmosphere that defines the American black metal underground.

New Orleans trio Circling Vultvre conjures a suffocating blend of black, death, and doom metal steeped in Southern Gothic dread. Their music circles decay and darkness with relentless, unhurried menace.

Moorhead, Minnesota's Citadel channel Nordic black metal fury through a Viking metal lens, crafting cold, atmospheric epics that evoke the frozen plains of the upper Midwest as much as ancient Scandinavia.

Columbus experimental black/thrash act Citranomicon approach genre boundaries as suggestions, welding cold tremolo-picked fury to unconventional structures and a genuinely strange sonic imagination. They resist easy categorization.

Los Angeles death doom act Civerous conjure suffocating, subterranean darkness at the intersection of black, death, and doom metal, building cavernous soundscapes of genuine dread. Their Maze of Sorrow EP and Decrepit Flesh Relic debut mark them as one of the more compelling voices in contemporary underground death.

US black/death/progressive metal act Clades construct dense, multi-layered compositions that resist easy genre categorization, blending extreme metal's harshness with progressive architecture. Their music is demanding and rewards close attention.

Sacramento's Clandestine Revelation fuse black and death metal into a hostile, atmospheric onslaught rooted in California's underground extreme scene. Cold tremolo riffing meets blasting percussion in compositions that favor atmosphere as much as brutality.

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