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Arch Enemy's smooth transition to new singer Lauren Hart and King Diamond's confirmed split from guitarist Andy La Rocque highlight a week of lineup shakeups — with lessons for New York's heavy metal underground and Charlie Benante's Anthrax-adjacent side project keeping local thrash lineage alive.
Taking Back Sunday's Louder Now 20th anniversary reissue and Red Rocks show headline a week that also brings a surprise Spiritbox single, a posthumous John Sykes EP, and Carla Harvey's latest with The Violent Hour.
From Islander's stance against death-cash-in covers to Shinedown's Eric Bass opening up about his faith crisis, this week's metal news turned into a masterclass in handling grief — and Florida's scene has been writing that playbook for decades.
Nekrogoblikon's 20th anniversary, new MetalSucks columns, and a wave of heavy metal veteran activity offer a wide-angle look at how California's comedy metal, NWOTHM, and industrial scenes are all quietly evolving heading into 2026.
From Anthrax's basement-sized homecoming at Saint Vitus to Peter Tägtgren's rapid-fire industrial rollout and a simmering doom underground, this week's US metal news balances legacy reckonings with fresh momentum.
The deathcore world mourns Andy Williams while Ohio's own genre-blending, thrash, and NWOTHM scenes reflect on the legacies — from Every Time I Die to Slayer's Reign In Blood — that shaped them.
Halestorm's home-built Dark Garden studio session, tributes to Every Time I Die's Andy Williams, Slayer's Reign In Blood turning 40, and Alissa White-Gluz's Blue Medusa debut all trace back to lessons Pennsylvania's DIY metal scene already knows by heart.
A reopened Van Halen-Hagar feud, Alissa White-Gluz's Blue Medusa debut, and a wave of legacy-act news all point to bigger trends worth watching in New York's death metal, heavy metal, and NWOTHM underground heading into 2026.
AFI's Davey Havok opens up about retiring 'Miss Murder' from the setlist, sparking a wider look at how California legacy acts — from The Kinison's reunion tour to the Sammy Hagar/Alex Van Halen feud — wrestle with the songs and stories that define them.
All Shall Perish's crowdfunded comeback, Flotsam and Jetsam's stance on lyrics, and Alissa White-Gluz's Blue Medusa live debut headline a week that shows US metal balancing nostalgia with new momentum.
Buffalo's metal community mourns Every Time I Die guitarist Andy Williams while the wider scene debates AI, celebrates Slayer's Reign in Blood anniversary, and revisits Long Island's Twisted Sister legacy with Sebastian Bach on vocals.
From Chat Pile's unrelenting new noise-rock statement to Accept's ambitious 50-year retrospective and Motionless In White facing a skeptical dad's review, this week's metal news shows the US scene balancing nostalgia with fresh dread.
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