Boston death metal solo project by guitarist Eric Pellegrini, channeling the New England work ethic into dense, independently crafted extreme metal built from the ground up without compromise.

Columbus, Ohio's Eris blends gothic atmosphere with death metal brutality, wrapping funereal melodic sensibility around downtuned heaviness in a way that feels both elegiac and aggressive. Formed in 2019, the project channels the goddess of discord into music that holds beauty and destruction in unresolved tension.

California's Erizo — Spanish for hedgehog — is anything but soft, weaponizing experimental grindcore and death metal into unpredictable, spiny sonic assaults that defy easy categorization. Active since 2008, the project treats genre as raw material to be shredded and reconfigured rather than adhered to.

Borrowing their name from a campy horror film, Corona, California's Ernest Scared Stupid plays it anything but light, delivering caustic death metal and grindcore laced with punk fury. Two decades of activity since 2003 have honed their approach into fast, filthy, and ferocious releases.

Baltimore's Erode fuses the city's historically fertile hardcore scene with the brutality of death metal, producing music that carries the aggression of both traditions without compromising either. Since 2010, the band has drawn on the collision of these worlds to build something rawer and more direct than either genre alone.

Nashville's Eroding Realm pushes death-doom into experimental territory, layering dissonance and unconventional structure over the genre's foundational heaviness. Formed in 2020, the band treats their sonic palette as something to be actively destabilized rather than settled into.

Out of Ocala, Florida, Eroding the Past delivers straightforward, punishing death metal rooted in the genre's classic traditions — chainsaw riffs, guttural vocals, and the kind of relentless pacing that keeps listeners off balance. A decade-long commitment to the style has made their approach thoroughly lived-in.

Florida's Eroguro Phantasmagore takes its name from the Japanese aesthetic of erotic grotesquerie and translates that sensibility into technical, experimental deathcore and grindcore that is deliberately unsettling in both form and content. Formed in 2024, the project attacks its material with maximal density and a refusal to provide easy footholds.

Austin's Eros Rot channels the city's underground death metal scene into brutal, single-minded savagery — dense, downtuned, and drenched in gore — with a name that announces exactly what kind of territory the band inhabits. Since 2021, they've pursued uncompromising brutality with no concessions to accessibility.