Los Angeles death doom act Civerous conjure suffocating, subterranean darkness at the intersection of black, death, and doom metal, building cavernous soundscapes of genuine dread. Their Maze of Sorrow EP and Decrepit Flesh Relic debut mark them as one of the more compelling voices in contemporary underground death.

US black/death/progressive metal act Clades construct dense, multi-layered compositions that resist easy genre categorization, blending extreme metal's harshness with progressive architecture. Their music is demanding and rewards close attention.

Sacramento's Clandestine Revelation fuse black and death metal into a hostile, atmospheric onslaught rooted in California's underground extreme scene. Cold tremolo riffing meets blasting percussion in compositions that favor atmosphere as much as brutality.

please update this band

Colorado Springs trio Clarion Void inhabit a murky space between black metal, death metal, and sludge, where oppressive atmosphere and dissonant heaviness collide. Their music is dense and suffocating, shaped by the high-altitude bleakness of their Rocky Mountain surroundings.

Vero Beach, FL solo black metal project Claux conjures austere, lo-fi darkness rooted in the rawest traditions of the genre. Stripping the music down to its most primitive and menacing essence, Claux operates well outside the mainstream metal underground.

Texas black/death outfit Clawhammer Coven deliver occult-tinged extreme metal rooted in the state's long tradition of underground ferocity. Their material is raw and ritualistic, steeped in darkness and disdain for polish.

Fort Smith, Arkansas heavy metal act Claymore carry on the classic tradition with no-nonsense riffing and a blue-collar approach to the genre. Their sound evokes the no-frills power of American heavy metal's formative years.

Clenching Shadow is a stripped-down, atmospheric black metal project rooted in cold, minimalist composition and a fiercely underground aesthetic. Their music is sparse and bleak, prioritizing mood and darkness over production.

Vancouver, WA's Cloak of Displacement inhabit the slow, suffocating intersection of black metal and drone, constructing vast, formless pieces built on dissonance and sustained tension. Their work is meditative and unsettling in equal measure.

Nashville's Cloaked produce raw, primitive black metal with a deep commitment to the genre's most unadorned and hostile traditions. Their recordings are deliberately lo-fi and confrontational, rejecting any polish in favor of pure darkness.

A one-man black metal project from Roslyn, New York, Clocktower of Hiraeth was conceived by the entity known as Myghûl the Drowned in 2018. Built around themes of history, addiction, and anti-religion, the project carved out a bleak atmospheric sound before going quiet.

Indianapolis's Cloud of Souls, the studio project of Chris Latta and Tucker Thomasson, brew classic black, doom, and epic heavy metal into a sound that evokes Bathory's Blood Fire Death meeting Saint Vitus. Their albums A Fate Decided and A Constant State of Flux demonstrate a consistently ambitious vision within the blackened doom space.

Oakland's Cloudstone operate at the intersection of black metal and doom, crafting a sound rooted in the Bay Area's rich tradition of heavy underground music. Their music leans into atmosphere and darkness without sacrificing weight.

Philadelphia's Clutch of Mammon is a one-man black and doom metal project with psychedelic undertones, releasing a steady stream of albums and EPs including Zrada and Alma. The project balances raw atmospheric black metal with oppressive doom, operating as an independent and prolific solo endeavor.