Little Rock's Cavort Usurp mix black metal's raw intensity with hardcore's direct aggression and thrash metal's riff-forward energy, creating a crossover-adjacent sound that feels combative and street-level.

Reading, Pennsylvania's Cavum pursue straightforward, grimly melodic black metal drawing on the European second-wave tradition — tremolo-driven riffs, blasting drums, and vocals smeared in reverb.

Portland's Cavusum deal in an experimental strain of black metal pushing past genre orthodoxy into more dissonant, texturally strange territory, reflecting Portland's tradition of deconstructing extreme metal forms.

Alliance, Ohio's Cebog push black metal into experimental and abstract territory, using the genre's harshness as a starting point for dissonant, structurally unconventional compositions.

Operating from the remote isolation of Kenai, Alaska, Celestial Annihilation deliver raw black metal with frostbitten, geographically appropriate desolation — thin, razor-edged production and relentless blasting.

Celestial Mass is a Pennsylvania black metal project steeped in the cold, atmospheric tradition — layered tremolo riffs, shrieked vocals, and a cavernous production aesthetic that emphasizes darkness over clarity. Their work draws from both the cosmic and the misanthropic strands of the genre.

Celestial Sovereignty is a progressive black/death metal band from Modesto, California. They blend the sinister atmosphere of black metal, the brutality of death metal, and the compositional complexity of progressive metal into multi-layered compositions.

Celestial Sword is a raw black metal project with an emphasis on nocturnal and cosmic themes, active in the underground split-release community alongside acts such as LLYR, Nightmare Ecstasy, Nocturnal Effigy, Adrasteia, and Upir. Releases include "Nocturnal Divinity," "Nocturne of the Mourning Moon," and "Constellations of Fatality and Metamorphosis."

Celestial Waters is a South Dakota black metal project drawing from the atmospheric and depressive branches of the genre, with sparse, wintry arrangements and a meditative bleakness shaped by the open, isolated landscape of the Northern Plains. Their sound emphasizes texture and desolation over aggression.

CellarWitch is a Portland, Oregon band operating at the intersection of black metal and brutal death metal, fusing icy tremolo aggression with pulverizing low-end brutality and a chaotic, dissonant approach that resists clean genre categorization.

Cemeterial Aura is a raw black metal project from Pittsburgh, Pennsylvania, dedicated to the lo-fi, primitive aesthetic of raw black metal — hypnotic tremolo riffing, cold production, and a deliberately abrasive, anti-polished presentation.

Cemetery Cove is a black metal band from Salt Lake City, Utah, crafting cold and atmospheric black metal with tremolo-picked guitar lines and expansive arrangements that draw from both Scandinavian second-wave black metal and the American atmospheric underground.

Cemetery Lights is a black metal project from Rhode Island with a cold, minimalist character, favoring repetitive tremolo riffing, distant echoing vocals, and an occult atmosphere rooted in the more primitive and meditative strand of American underground black metal.

Cemetery Lust is a black/thrash metal band from Portland, Oregon, combining the raw savagery of first-wave black metal with the speed and riff aggression of classic thrash in the tradition of Venom, Midnight, and Toxic Holocaust — mean-spirited, filth-forward, and built for speed.

Cemetery Moon is a black metal band from Danbury, Connecticut, crafting cold and melodic black metal with stark tremolo work and lo-fi rawness drawn from the grimmer, more atmospheric side of the Scandinavian second-wave tradition.